Well, 'Rang De Basanthi' was about embellishing the young rebels with spirit-of-patriotism that had a very colorful appeal. Yippee!! Rakeysh Mehra is back with a bang emblazoning Delhi fantastically. Trust us; it's an unforeseen 'Wall of Old Dilli' where nothing rules, but everyone is surmounted with humanity. Of course, the auteur unravels the beauty of not just the street corners, jelabi shops, but heart-binding relationships… An appealing relationship between various communities has been decorously depicted that draws us straight into streets of Chandni Chowk. Perhaps, it's not 'too-sweet-for-the-heart' moments as there are peculiarities of caste-communalism differences that get us through a chain of unexpected sequences.

Dadi shakes off the cobwebs, swoons over a banarsi paan, snuggles up to all her biradari and bustee wallahs (friends and relatives) and picks up the strings of a life she'd never wanted to give up. Roshan however begins on a predictable yuppie-yankee note and smiles indulgently at the teeming chaos: the cows in the street, the kitschy Ramleela shows, the kite and pigeon flying soirees on the terraces, the polo session with Uncle Beg (Rishi Kapoor) and the jalebi sessions with the boys next door. And before he knows, he's gently sucked into the chaos himself. Specially when he can't understand why firebrand Imarti (Divya Dutta) is an untouchable; why the unfriendly neighbourhood cop (Vijay Raaz) has a Hitler fetish; why his uncles (Om Puri, Pavan Malhotra) have built a wall in their house, while their wives gossip relentlessly through a loose brick. Or else, why the beautiful Bittu (Sonam Kapoor) chooses to have her wings clipped, like the white dove, Masakali, when she too can fly and fulfil her dreams.

If you're a good analyst of films, there's something uniquely trenchant with Rakeysh. Unlike other flicks that have carried on with the First-Second half, the director has inherited the narration with 3-Act formulas. Something that isn't common, right? Yeah, 'Delhi-6' is yet another example to suggest the changing face of Bollywood.  Getting on with the metaphors of 'Kaala Bandhar' and 'Ramayana' stage plays, he tries pulling the realistic pictorials. When the throngs are bounded devotionally watching the mythological drama, politicians interrupt it. And again, watch the special performance of Lord Shiva's 'Rudra Thandava' for the politician.

Precisely, the film possesses the best attributes of getting ennobled as 'World Cinema'. Maybe, the plot is a bit clichéd to 'Swadesh' where an NRI makes his way to India getting adhered to scenario bounded with happiness and tribulations.

The musical score by A.R. Rahman is 'wordlessly colossal', especially the number 'Masakali' is a rich fiesta offered to the audience. Don't miss his background score in the penultimate sequence where there's hunt for the 'Kaala Bandhar'.

Precisely, the screenplay is intricately beautiful that you don't feel like watching the film but taking a walk down 'Delhi-6'.

On the whole, 'Delhi-6' is an incredible flick in terms of all panoramas. The film is simply prodigious with flawlessness and a piece of work that takes Indian Cinema to the next level.