Rarely do mainstream Tamil movies deal with certain sections of the society that pass through our lives with predictable regularity, and yet are shunned by most. And then you have director Bala, known for his distinctive perspectives, sharp, decisive screenplays and ability to blast the viewer out of his comfortable, cushioned existence. Fireworks are sure to happen when the two meet. So, does Vasan Visual Ventures' Naan Kadavul (I am God).

The movie's certainly a landmark for both Arya and Pooja. Though their costumes and make-up go a long way towards impressing you, it's obvious that they've carried out their director's instructions, and nothing more.

Arthur Wilson's camera is sheer poetry. His capturing on lens the crowded Kasi and the ruthless struggles of Rudhran deserves appreciation. What can be said about maestro Illayaraja. Not just his songs but his extraordinary re-recording brings the right feel to the whole film.

Jayamohan has added strength with his delicate dialogues. Though very few in the film, they are hard-hitting and sensible.

Kudos to producer Sreenivasan for sponsoring such a bold attempt. All said, it is a Bala special loaded with his trademark style and mannerism. Though many scenes are devoid of logic, Bala's magic makes us forget them.

In one word, Naan Kadavul is a movie to cherish and celebrate.

Recognizing a unique setting, maestro Ilaiyaraja has gone to town with the background score even more than the songs themselves. It is this that adds some richness to the tale. Suresh Urs's editing is slick and neat; Super Subbarayan's stunts echo a lot of Pithamagan.